Witch In Progress

2–3 minutes

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I’m sorry for starting this with a silly pun… I couldn’t help myself. Moving on…

I wanted to share my process so far on working out how I want to design the witch from the Macbeth design I chose. There will be images of my process, as well as me annotating what I am thinking, and what I think I should try, as well as some feedback from my tutor.

The designer is Eloise Kazan. You can check out the website here: https://eloisekazan.myportfolio.com/macbeth-opera-de-bellas-artes-costume-design

My starting process is pretty simple – I like to zoom right in, and then ajust brightness and levels contrast to see if there is any details that I may have missed. This is a particuarly important step if you have downloaded your image from the internet, as most are at 72ppi on terms of quality. This means the image can be super compressed, and just isn’t as detailed as detailed as having an original copy of the design.

From there, I made a new layer in photoshop, and drew in where I think seam lines should be, what shapes they might be, darts, etc. Once I have a rough idea of that, I then work on creating a proper flat lay pattern.

Here was my first try on the flat lay – as the figure is slightly turned to the side in the original design, I made sure to have a completely front on body to work out how I would like to position the seams, darts, details, etc. The sleeves I originally wanted to create with the seam at the back, and just a straight open V shape at the front, but later you will see I change this so match the sleeve going into the princess seam at the bust. Although in dark fabric, on stage, you’re unlikely to notice either seam, I thought this would create a really nice angular cut though the entire body. That said, my tutor has recommended looking at different sleeves, including ”free floating sleeves” which is going to be my next point of research.

Aaaaaaand here is my progress so far! I am fairly set on this pattern, but I still have some thing to figure out. I want extra fabric around the waist to drop down, as I think that will look nice and add some fullness. I also want to do a little more research into the sleeves, after my tutors recommendation. To recreate the red stripes on the costume, I have opted to go for a red visual zip, and create some red piping for the collar and around the zip. Encased into the piping around the collar, I want to place in long red ribbon. The reason for this is that in the performance of the opera, one of the apparisions that appears, as these flowy red ribbons, so I think it would be a really nice way to tie it together with some of the other costumes.
Like this! I also love this design, but the witches won me over.

Until next time, stay crafty!

I’m sorry for starting this with a silly pun… I couldn’t help myself. Moving on… I wanted to share my process so far on working out how I want to design the witch from the Macbeth design I chose. There will be images of my process, as well as me annotating what I am thinking,…

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Quill Vulkin is a multidisplined artist & costume maker. They use a mix of methods and media to create thought-provoking pieces, as well as re-creations of work for clients.